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C.L. TERRY GIPS PO Box 316 South Wellfleet MA 02663 Tel/Fax 508-349-0276 www.coldmeadow.com tgips@coldmeadow.com Exhibitions: One , Two, and Three Person Shows 2007 “Twenty Ways of Looking at an Ocean,” Wellfleet Council on Aging 2004 “While Shepherds Watched...” solo installation at the Wellfleet (MA) Public Library 2000 “Dolly’s Dilemma: Part I” Three New Artists at Roger Williams University, Bristol, RI 1998 “Nature and the Grid,” Troyer Fitzpatrick Lassman Gallery, Washington, DC 1995 “Crisis of Memory,” Holtzman Gallery, Towson State University, Towson, MD 1994 “Architecture and Memory,” solo show at Arnold & Porter, Washington, DC 1993 "Mnemosyne's Dream," Harmony Hall Regional Art Center, Fort Washington, MD (Solo installation with music composed by Garrison Hull) 1990 “Architecture and Memory,” solo show, Tweed Museum of Art, Duluth, MN Light Work Gallery, Syracuse 1988 "Stones of the North Atlantic," Exposure Gallery, Orleans, MA 1986 Aberdeen Gallery, Washington, DC 1985 Colburn Gallery, University of Vermont, Burlington 1984 School of Art Gallery, University of Denver 1983 Project Arts Center, Cambridge, MA 1982 "Landscapes and Figures: 1970-82," Passepartout Gallery, Winooski, VT "Various Rocks of the Northeast," AVA Gallery, Hanover, NH 1977 "Heart Is Where the Home Is," 112 Workshop/112 Greene Street, New York City (Installation of photographs and performance with Jan Cohen) 1976 Vermont Artisans Gallery, Strafford, VT 1974 Picker Gallery, Colgate University, Hamilton, NY Bristol Campus Center, Hamilton College, Clinton, NY Selected Group Shows 2008 "Artists' Reactions to War," curated by Daniel Heyman, Truro (MA)Center for the Arts at Castle Hill, First Prize 2008 "Works on Paper," curated by Charlotte Kotik,Long Island Beach Foundation for the Arts & Sciences, Loveladies, NJ 2008 "Catastrophe," Atlantic Gallery, NY 2007 Fine Arts Work Center, Provincetown 2007 “Small Miracles,” Atlantic Gallery, NYC 2007 “Wish You Were Here 6", A.I.R. Gallery, NYC 2007 “Playing for Keeps/Toys” Atlantic Gallery, NYC 2007 “Digital Transitions,” Louise and Bernard Palitz Gallery, NYC 2007 Provincetown Art Association and Museum juried members show 2006 “Digital Transitions,” Light Work Gallery, Syracuse 2006 Fine Arts Work Center, Provincetown 2006 Provincetown Art Association and Museum members show 2006 “Small Miracles,” Atlantic Gallery, NYC 2006 Provincetown Art Association and Museum, Small Works 2003 Provincetown Art Association and Museum juried members show 2002 “While Shepherds Watched...” installation included in Visions 2002 at the Historic Newport (RI) Congregational Church 2001 “Arts and Environment: Making the Green,” Woodstock, VT 2001 “Beauty and the Beach,” Francesca Anderson Fine Art, Lexington, MA 2000 “Generations: A Survey of Women Artists at the Millennium,” AIR Gallery, NYC 2000 “Dolly’s Dilemma: Part I” in Faculty Show, University of Maryland 1997-8 University of Maryland Faculty, traveling exhibition, Poland 1997 “Historic and Contemporary Photographs of China,” Kathleen Ewing Gallery, Washington DC 1996 Multimedia Installation & Performance; collaboration with dancers and musicians, University of Maryland 1995 "Washington Women Photographers," Beijing, China 1995 “Views of China,” George Mason University, Fairfax, VA 1993 "New Genres," Arlington Art Center, Arlington, VA Curated by Phillip Brookman 1993 "Alternate Route," Isopin Two South, Baltimore 1991 "Your Shot, Our Show," Tartt Gallery, Washington, DC 1991 "Mondo Futuro," Washington Project for the Arts, Washington, DC 1991 CEPA (Center for Exploratory & Perceptual Art) Galleries, Buffalo, NY 1991 "Virtual Memories," Friends of Photography, Ansel Adams Center, San Francisco 1991 "Vanishing Boundaries, Digital Image Making," Intermedia Arts, Minneapolis 1990 "Pixels to Pictures," Target Gallery/Torpedo Factory, Alexandria, VA 1989 District of Columbia Art Center, Washington, DC, Four-person Show 1989 "Computers and the Creative Process: Version 2.0," University of Oregon Museum of Art, Eugene. (Traveled throughout the US during 1990-1991) 1989 Maryland Art Place, Baltimore 1989 "Computers and Photography," Pyramid Arts Center, Rochester, NY 1989 "Art and Computer Imaging: A Look Toward the Future," Fenwick Gallery, George Mason University, Fairfax, VA 1989 "Computer Art/Electronic Imaging," Florissant Valley Art Gallery, St. Louis Community College, St. Louis, MO 1988 "Art... Made in USA," Stadtishe Gallery, Regensburg, West Germany Invitational Group Show, AIR Gallery, New York City 1987 "Images: The Photographic Eye, Maryland Annual Traveling Exhibition," Lowe House Office Building, Annapolis, MD and four other sites 1986 "Altered Image," Arlington Art Center, Arlington, VA 1986 "Selected Photographs ‘86," Philadelphia Print Club, (Seven artists) 1984 AVA Gallery, Hanover, NH 1984 "Inside Arcadia: Vermont Photographers Look at Vermont," Chandler Cultural Center, Randolph, VT (Show traveled to Catamount Art Center, St. Johnsbury, VT in 1985; Brattleboro Museum and Art Center, in 1986) 1983 "Annual Invitational Photography Exhibition," Atrium Gallery, University of Connecticut, Storrs 1983 "Unrestricted Color," Handwerker Gallery, Ithaca College, Ithaca, NY 1983 Port of History Museum National Invitational Photography and Print Exhibition, Philadelphia 1982 Brattleboro Museum and Art Center, Brattleboro, VT 1981 Colburn Gallery, University of Vermont, Burlington 1980 Frame of Mind Gallery, Burlington, VT 1979 Invitational Photography Show, The Shadow Box, Hanover, NH 1979 "10 Year Retrospective," 112 Workshop/112 Greene Street, New York City 1975 Fleming Museum, University of Vermont 1973 "Earth, Air, Fire, Water," Lowe Art Gallery, Syracuse University 1970 Southern Connecticut College, New Haven 1970 Yale School of Art Student Print Show, New Haven Photographs/Reproductions of Artwork Published In 1999 The Hastings Center Report, Original art used to illustrate article, “Implantable Brain Chips?,” Vol 29, No 1, January-February 1994 Computer Graphics, (NY: ACM SIGGRAPH), Vol 28, No 4; front & back covers 1992 Digital Dialogues: Photography in the Age of Cyberspace (A Special Issue of TEN-8, Vol 2, No 2), Birmingham, England, p. 107 1991 Photo Metro, (San Francisco), May, pp. 8-9 1991 Contact Sheet #70 (Syracuse: Light Work), February, 3 pages 1991 Review (San Francisco: Friends of Photography), May/June, p. 5 1990 Computers and the Creative Process, University of Oregon Museum of Art 1989 Contact Sheet #64, (Syracuse: Light Work Gallery), one photograph, 1983 Judith Brodsky and Ofelia Garcia, Printed by Women: A National Exhibition of Photographs and Prints (Philadelphia: The Print Club), p. 38 1981 Robin Brentano and Mark Savitt, 112 Workshop/112 Greene Street: History, Artists and Artworks (NY: New York University Press), pp. 114-115, 204-201 !980 Ann Banks, ed., First Person America (New York: Alfred Knopf), p. 102 (Selections from the Federal Writers Project life narratives; illustrated with photographs by Jack Delano, Dorothea Lange, Russell Lee, and others) 1978 Sojourner, Vol III, No 12 (Boston), p. 12 1973 CIRCA: A Journal of Photography (Hamilton, NY: Colgate University) 1971 Alkahest: American College Poetry, Vol V (Middletown, CT: Wesleyan Univ )Press 1970 Yale Alumni Magazine, Vol XXXIII, No 8 (New Haven) 1970 Yale Review of Law and Social Action, Vol 1, Nos 2 & 3 (New Haven) Selected Reviews of Exhibitions 1993 Mary McCoy, "A Full Display of New Genres," The Washington Post, March 11 1992 Mary McCoy, "U-Md Faculty," The Washington Post, November 28 1989 Judith Reynolds, "Pushing the Reset Button," City Newspaper (Rochester) April 6 1989 William Johnson, "Computers and Photography: Pyramid Art Center," Rochester Film and Photo Consortium Update (Rochester) March/April. 1989 Mark Power, "Gips' Building Blocks," in The Washington Post, July 10, 1989 Mark Power, "40 Artists' Photography," in The Washington Post, February 6 1989 Victoria Donohoe, "Art," in The Philadelphia Inquirer, (weekend) January 24. 1982 Noel Suter, "Women's Art/Women's Lives," in Art New England, Vol. 3, No. 8 (Boston) 1982 "Terry Gips," in The Vermont Vanguard Press, July 30-August 6 (Burlington) 1982 "Gips' Photographs at AVA Gallery," White River Valley Herald, May 25 (Randolph, VT) 1982 Sarah Seidman, "Our Lives, Our Pocketbooks," in The Vermont Vanguard Press, April 30-May 7 (Burlington). 1982 Tom Slayton, "The Pocketbook Show," in The Times-Argus, April 29 (Montpelier, VT) Collections National Museum of American Art, Smithsonian Institution, Washington, DC National Museum of Women in the Arts, Washington, DC Light Work, Syracuse, NY Picker Gallery, Colgate University, Hamilton, NY State of Vermont, Government Offices Private Collections in the US and Europe Fellowships and Awards 1997 University of Maryland Graduate Research Board Semester Award 1993 University of Maryland Creative and Performing Arts Summer Award 1990 Artist-in-Residence, Light Work Gallery, Syracuse University of Maryland Creative and Performing Arts Summer Grant 1989, 85, 84 Fellowship for Virginia Center for the Creative Arts Residency 1986 National Endowment for the Arts Visual Artists Fellowship in Photography 1985 University of Maryland Graduate Research Board Summer Award 1984 State Honor Award, Vermont Women's Caucus for Art Education 1967-1971 Yale University, Master of Architecture, 1971 (Included work in photography with Walker Evans and Paul Caponigro) 1964-1967 Cornell University, Bachelor of Science, 1967 (Major in design with work in art, art history, and urban studies) 1963-1964 Syracuse University, Landscape Architecture Employment History 2000-present Cold Meadow Design: consulting and website design for museums, cultural organizations, and artists
2000 Roger Williams University, School of Architecture, Art, and Historic Preservation, Assistant Dean
1984-2000 University of Maryland, Assistant Professor, 1984-1990; Associate Professor, 1990-2000 (Teaching: digital imaging and web-based art, installation, photography, art theory, and museum studies.)
1992-99 Director and Curator, The Art Gallery, University of Maryland As chief administrator of the campus museum, oversaw budget, staff, and all programmatic activities of the unit; secured funding from private, corporate, foundation, and governmental sources; served ascurator of permanent collection and several temporary exhibitions; managed catalogue publications.
1980-1984 University of Vermont, Department of Art, Adjunct Faculty (Three-quarter-time) Photography, foundation courses, visual environment, history of women artists
1976-1980 Goddard College, Fine Arts & Feminist Studies. (Full-time Faculty, Adult Degree Program) 1976 Goddard College, Director and Faculty, New Artisans Summer Program 1975 Goddard College, Assistant to the Dean of Summer Programs 1975 Community College of Vermont, Adjunct Faculty in Architecture (Part-time) 1972-1974 Colgate University, Instructor in Fine Arts (Full-time) 1968-1971 Creative Arts Workshop & Dixwell Arts Center, New Haven, Faculty (Part-time) Exhibitions Curated and Related Work 1999 Curator, "Close Enough: Photography by David Seymour (Chim)"
1998 Project Director, "The David C. Driskell Collection: Narratives of African American Art." The Art Gallery at the University of Maryland and traveling to Cincinnati Art Museum; High Museum of Art, Atlanta; Newark Museum; Colby College Museum of Art; and the de Young Museum, San Francisco
1998 Juror, "National Drawing and Print Exhibition," Gromley Gallery, College of Notre Dame, Baltimore
1997 Curator, “Terra Firma: Susan Brenner, Nancy Fried, Lorna Simpson, Kiki Smith, Faith Wilding, and Barbara Zucker,” The Art Gallery at the University of Maryland
1996 Curator, “Willem de Looper/Retrospective Exhibition 1966-1996,” The Art Gallery at the University of Maryland
1995 Curator, "The Digital Village," an international exhibition of electronic artwork using networks and interactivity, (Richard Bolton, Alan Dunning, Lynn Hershman, Manual, Christine Tamblyn, Joan Truckenbrod), The Art Gallery at the University of Maryland in collaboration with the Corcoran Gallery of Art
1994 Co-curator, "Significant Losses: Artists Who Have Died from AIDS, (Alfonzo, Alvarez, Brunelle, Burton, Fani-Kayode, Fincham, Gonzalez, Greene, Haring, Hujar, Jaeger, Kellard, Mapplethorpe, Thek, Wojnarowicz), The Art Gallery at the University of Maryland
1993 Curator, "Art/Nature/Society: Selections from the Permanent Collection," The Art Gallery at the University of Maryland
1992 Guest Curator, "New Washington Photography," District of Columbia Art Center
1983 Curator, "Books and Poets," for the State Art Exposition, Mount Snow, VT
1978 Curator, "Granite Artists and Their Work," two-part exhibition shown jointly at the First Branch Gallery and the Barre Granite Association Office Building, Barre, VT
1977-80 Founder, Director, and Curator, First Branch Gallery, Chelsea, VT (Curated and installed about 40 exhibitions) Authored and Edited Publications 2003 "West Rutland, Vermont / Meg Walker," review of exhibition at the Carving Studio Gallery, published in Sculpture magazine, July/August 2003.
2003 Ellen St. Sure, “With a Passion for Brush and Palette: Giddings H. Ballou and his Cape Cod Portraits,” exhibition catalogue, designed by Terry Gips
2002 Terry Gips, “Possession Obsession: Objects from Andy Warhol's Personal Collection,” Rhode Island School of Design Museum of Art , Providence, RI: Exhibition Review, Art Papers November/December 2002
1999 Terry Gips, Close Enough: Photography by David Seymour (Chim) (College Park: The Art Gallery at the University of Maryland)
1997 Terry Gips, ed. and author of introductory essay, Terra Firma (College Park: The Art Gallery at the University of Maryland)
1996 Terry Gips, ed., Willem de Looper: A Retrospective Exhibition 1966-1996, (College Park: The Art Gallery at the University of Maryland)
1996 Terry Gips, “Joyce J. Scott’s Mammy/Nanny Series,” in Feminist Studies 22, no 2, summer 1996 (College Park, MD: Feminist Studies, Inc.)
1994 Terry Gips and Bradley Spence, Significant Losses: Artists Who Have Died from AIDS, (College Park: The Art Gallery at the University of Maryland).
1992 Terry Gips, "Terry Gips", (art essay with nine photographs) Feminist Studies, Spring '92, College Park, MD
1990 Terry Gips, Guest Editor. Art Journal/Computers and Art: Issues of Content, Vol 49, No 3, theme issue of the quarterly publication of the College Art Association
1990 Terry Gips, "Critical Questions for Computer Artists of the 1990s in Conference Proceedings, Vol II (Arlington, VA: National Computer Graphics Association)
1988 Terry Gips, "A New Goddess of Memory," in SPOT (Houston: Houston Center for Photography). Winter
1986 Terry Gips, ed., National Honor Awards, 1986 (Philadelphia: Women's Caucus for Art).
1985 Terry Gips, ed., National Honor Awards, 1984-85 (Philadelphia: Women's Caucus for Art). Terry Gips, author, "Eleanor Raymond, Architect," (citation and catalogue essay) in above catalogue.
1983 Terry Gips, "Alice Austen," in VIEWS, Vol 4, No 2 (Boston: Photographic Resource Center)
1982 Terry Gips, "Women and Photography: A Difficult Partnership," in VIEWS, Vol 3, No 4 (Boston: Photographic Resource Center) Videos 1995 Terry Gips and Bradley Spence in collaboration with Earl Farris, Significant Losses, a video catalogue of the Significant Losses: Artists Who Have Died from AIDS exhibition. Produced by Florida Community College at Jacksonville. Papers and Talks 2001 "Independent Museum Consulting 101," Panel Chair, New England Museum AssociationCollege Art Association annual conferences, 1999, 2000, & 2001, Curatorial Reviewer or Artist Portfolio Program
2000 “Building Teams,” New England Museum Association Conference, Portland, ME
1998 "Chimera for the 21st Century: Cyborgian Structures as Feminist Strategy," paper given at the second International Post-Biological Consciousness conference at the University of Wales College, Newport, Center for Advanced Inquiry in the Interactive Arts
1998 “Working the Web: Gathering, Studying, Creating, and Presenting Images,” College Art Association Annual Meeting, New York
1997 "Current Issues in the Visual Arts," State Arts Advocacy Day, Annapolis, MD (joint presentation with Gary Vikan, Director, Walters Art Gallery, Baltimore)
1997 "New Media in the Museum," speaker at annual symposium, Hirshhorn Museum and Sculpture Garden Docents Program
1996 "The World Wide Web as Teaching/Learning Environment," American Studies Association, National Meeting, Kansas City
1996 "The World Wide Web as Source and Venue for Image Production and Presentation," Symposium of Museum and University Participants in the Getty Museum Educational Site Licensing Project, held at the University of Maryland
1996 "Creating Art on the Web," workshop presenter for the Teaching with Technology Colloquium at the University of Maryland
1992 Ann Zelle, Terry Gips, David Adamson, & Charles Ossola, "Image Manipulation: Four Points of View on the Future of Reality," in Visual Communications: Bridging Across Cultures. Judy Clark Baca, et al., editors (Blacksburg, VA: International Visual Literacy Association)
1992 "Visual Design: A Model Learning Process," Paper given at Ninth International Conference on Technology and Education, Paris
1991 Visiting Artist Lecture, Corcoran School of Art, Washington, DC
1991 Artist Slide Lecture in "Meet the Masters Series," Washington Center for Photography
1991 "Photography and Digital Image Manipulation," International Visual Literacy Association Conference, Washington, DC
1990 University of Minnesota at Duluth. Visiting artist lecture in conjunction with exhibition of work at Tweed Museum of Art
1990 University at Buffalo (SUNY). Visiting Artist Lecture Series
1990 "Electronic Technologies and the Future of Photographic Education." Paper given at national conference of the Society for Photographic Education, Santa Fe
1990 University of Michigan, Department of Art, One Week Workshop in Computer Imaging. Slide lecture as part of Visiting Artist Lecture Series
1989 "Computers and Art: Issues of Content." Paper given at College Art Association annual meeting, San Francisco (Also chaired panel)
1988 Architecture, Memory and Computer-Aided Photomontage." Paper given at the annual Symposium of the Small Computers in the Art Network, Philadelphia
1998 "Architectural Metaphors in Photographic Constructions." Colgate University Visiting Artists Lecture Series, Hamilton, NY
1998 "Reconstructing Memory: Using the Computer as a Tool for Photographic Montage." Working paper given at the National Conference of the Society for Photographic Education, Houston
1984 "Photography and Collage," Panel Presentation, Dartmouth College Artists Panel Series, Hanover, NH
1983 "Constructing Ideas Through Photography," Fleming Museum Artist Lecture Series, Burlington |