| Terry Gips | |
SELECTED
SOLO SHOWS |
|
| 2007 | Twenty Ways of Looking at an Ocean, Wellfleet Council on Aging |
| 2004 | While Shepherds Watched... solo installation at the Wellfleet (MA) Public Library |
| 2000 | Dolly’s Dilemma: Part I, Three New Artists at Roger Williams University, Bristol, RI |
| 1998 | Nature and the Grid, Troyer Fitzpatrick Lassman Gallery, Washington, DC |
| 1995 | Crisis of Memory, Holtzman Gallery, Towson State University, Towson, MD |
| 1994 | Architecture and Memory, solo show at Arnold & Porter, Washington, DC |
| 1993 | Mnemosyne's
Dream, Harmony Hall Regional Art Center, Fort Washington, MD (Solo installation with music composed by Garrison Hull) |
| 1990 | Architecture and Memory, solo show, Tweed Museum of Art, Duluth, MN |
| 1990 | Light Work Gallery, Syracuse |
| 1988 | Stones of the North Atlantic, Exposure Gallery, Orleans, MA |
| 1986 | Aberdeen Gallery, Washington, DC |
| 1985 | Colburn Gallery, University of Vermont, Burlington |
| 1984 | School of Art Gallery, University of Denver |
| 1983 | Project Arts Center, Cambridge, MA |
| 1982 | Landscapes and Figures: 1970-82, Passepartout Gallery, Winooski, VT |
| 1982 | Various Rocks of the Northeast, AVA Gallery, Hanover, NH |
| 1977 | Heart
Is Where the Home Is, 112 Workshop/112 Greene Street, New York
City (Installation of photographs and performance with Jan Cohen) |
| 1976 | Vermont Artisans Gallery, Strafford, VT |
| 1974 | Picker Gallery, Colgate University, Hamilton, NY |
| 1974 | Bristol Campus Center, Hamilton College, Clinton, NY |
| SELECTED GROUP SHOWS | |
| 2008 | Artists' Reactions to War, curated by Daniel Heyman, Truro Center for the Arts at Castle Hill, Truro, MA, !st Prize |
| 2008 | Works of Art on Paper, curated by Charolotte Kotik, Long Island Beach Foundation for the Arts and Sciences, Loveladies, NJ |
| 2008 | Catastrophe, Atlantic Gallery, NYC |
| 2007 | Fine Arts Work Center, Provincetown |
| 2007 | Small Miracles, Atlantic Gallery, NYC |
| 2007 | Playing for Keeps/Toys, Atlantic Gallery, NYC |
| 2007 | Digital Transitions, Louise and Bernard Palitz Gallery, NYC |
| 2006 | Digital Transitions, Light Work Gallery, Syracuse |
| 2006 | Fine Arts Work Center, Provincetown |
| 2006 | Provincetown Art Association and Museum, Small Works |
| 2003 | Provincetown Art Association and Museum juried members show |
| 2002 | While Shepherds Watched... installation included in Visions 2002 at the Historic Newport (RI) Congregational Church |
| 2001 | Arts and Environment: Making the Green, Woodstock, VT |
| 2001 | Beauty and the Beach, Francesca Anderson Fine Art, Lexington, MA |
| 2000 | Generations: A Survey of Women Artists at the Millennium, AIR Gallery, NYC |
| 2000 | Dolly’s Dilemma: Part I, in Faculty Show, University of Maryland |
| 1997-98 | University of Maryland Faculty, traveling exhibition, Poland |
| 1997 | Historic and Contemporary Photographs of China, Kathleen Ewing Gallery, Washington DC |
| 1996 | Multimedia Installation & Performance; collaboration with dancers and musicians, University of Maryland |
| 1995 | Views of China, George Mason University, Fairfax, VA |
| 1995 | Washington Women Photographers, Beijing, China |
| 1993 | New Genres, Arlington Art Center, Arlington, VA Curated by Phillip Brookman |
| 1993 | Alternate Route, Isopin Two South, Baltimore |
| 1991 | Mondo Futuro, Washington Project for the Arts, Washington, DC |
| 1991 | CEPA (Center for Exploratory & Perceptual Art) Galleries, Buffalo, NY |
| 1991 | Virtual Memories, Friends of Photography, Ansel Adams Center, San Francisco |
| 1991 | Vanishing Boundaries, Digital Image Making, Intermedia Arts, Minneapolis |
| 1989 | District of Columbia Art Center, Washington, DC, Four-person Show |
| 1989 | Computers and the Creative Process: Version 2.0, University of Oregon Museum of Art, Eugene. (Traveled throughout the US during 1990-1991) |
| 1989 | Maryland Art Place, Baltimore |
| 1989 | Computers and Photography, Pyramid Arts Center, Rochester, NY |
| 1989 | Computer Art/Electronic Imaging, Florissant Valley Art Gallery, St. Louis Community College, St. Louis, MO |
| 1988 | Art... Made in USA, Stadtishe Gallery, Regensburg, West Germany |
| 1986 | Altered Image, Arlington Art Center, Arlington, VA |
| 1986 | Selected Photographs ‘86, Philadelphia Print Club, (Seven artists) |
| 1984 | Inside Arcadia: Vermont Photographers Look at Vermont, Chandler Cultural Center, Randolph, VT (Show traveled to Catamount Art Center, St. Johnsbury, VT in 1985; Brattleboro Museum and Art Center, in 1986) |
| 1983 | Annual Invitational Photography Exhibition, Atrium Gallery, University of Connecticut, Storrs |
| 1983 | Unrestricted Color, Handwerker Gallery, Ithaca College, Ithaca, NY |
| 1983 | Port of History Museum National Invitational Photography and Print Exhibition, Philadelphia |
| 1982 | Brattleboro Museum and Art Center, Brattleboro, VT |
| 1979 | 10 Year Retrospective, 112 Workshop/112 Greene Street, New York City |
| 1975 | Fleming Museum, University of Vermont |
| 1973 | Earth, Air, Fire, Water, Lowe Art Gallery, Syracuse University |
| 1970 | Yale School of Art Student Print Show, New Haven |
| COLLECTIONS | |
| National Museum of American Art, Smithsonian Institution, Washington, DC | |
| National Museum of Women in the Arts, Washington, DC | |
| Light Work, Syracuse, NY | |
| Picker Gallery, Colgate University, Hamilton, NY | |
| State of Vermont, Government Offices | |
| Private Collections in the US and Europe | |
| FELLOWSHIPS AND AWARDS | |
| 1997 | University of Maryland Graduate Research Board Semester Award |
| 1993 | University of Maryland Creative and Performing Arts Summer Award |
| 1990 | Artist-in-Residence, Light Work Gallery, Syracuse |
| 1990 | University of Maryland Creative and Performing Arts Summer Grant |
| 1989,85,84 | Fellowship for Virginia Center for the Creative Arts Residency |
| 1986 | National Endowment for the Arts Visual Artists Fellowship in Photography |
| 1985 | University of Maryland Graduate Research Board Summer Award |
| EDUCATION | |
| 1967-71 | Yale
University, Master of Architecture (Included work in photography with Walker Evans and Paul Caponigro) |
| 1964-67 | Cornell
University, Bachelor of Science, 1967 (Major in design with work in art, art history, and urban studies) |
| 1963-64 | Syracuse University, Landscape Architecture |
| EMPLOYMENT SUMMARY | |
| 2000-PRESENT | Cold Meadow Design: consulting for museums and cultural organizations |
| 2000 | Roger Williams University, School of Architecture, Art, and Historic Preservation, Assistant Dean |
| 1984-2000 | University of Maryland, Assistant Professor, 1984-1990; Associate Professor, 1990-2000 |
| 1992-99 | Director and Curator, The Art Gallery, University of Maryland |
| 1980-84 | University of Vermont, Department of Art, Adjunct Faculty |
| 1975-80 | Goddard College, Fine Arts & Feminist Studies Faculty |
| 1972-74 | Colgate University, Instructor in Fine Arts |